TBOE: part 8? Meanwhile, back on the lawns

I’ve gone through the rest of my photos for this series and I am nearing the end. I’ve had a busy year and I fear I may have dragged this particular subject out too long. With that in mind, I’ll go straight to the photos of Brookgreen Gardens’ expansive lawns, where some very large statuary had lots of room to be appreciated.

One item of blog housekeeping: if you have the curiosity, patience,  and time, you can start at the beginning of this photo journey, The Banality of Evil, here.

Happy Trails…with alligators

After leaving the Brown Sculpture Court [part 7] we walked across some large, well-manicured lawns. There we found a variety of  subjects and themes worked into large pieces.

Impossible to miss is this bronze sculpture which is 27 feet long: “Time and the Fates” by Paul Manship. Three mythological figures represent the thread of life being spun, measured, and then cut.   

[Click on photos to enlarge; click twice for closer details.]

But here is a surprise for you. It’s a sundial!

I really liked this pond, with this fun young man planted in the middle having a good time:

 So many works of art to enjoy in such a beautiful environment…

…until I noticed this:

Gulp.

Hurrying along now….

This larger-than-life limestone work is called “Phryne Before the Judges” by Albert Walter Wein. Yes, that’s right, Judges. This was a real woman…courtesan…prostitute…in Greece, 4th century BC. She was tried for something like blasphemy of a god, but showed her breasts to the (all male) jury and voila! Not guilty. Makes sense.

A life-size contemporary statue I like which sat near the pond: watch out for the gators, baby!

I think the next work is not only well done, but unique in its own way–I can’t identify the artist, sorry.

The next group of photos is of one of my favorite sculptures and subjects, a work by Anne Hyatt Huntington herself: Don Quixote. It’s huge, so it will take several shots to get a good perspective.

I’ll end with another favorite subject, birds: “Heron, Grouse and Loon” by Elliot Offner, of the Offner Sculpture Research and Learning Center facility at Brookgreen. Offner is a contemporary sculptor whose depictions of wildlife I truly love. You can see more of fish, birds, and even a cute pig online at Vose Galleries.

Hope you enjoyed these as much as I do–I never seem to tire of looking at them. The next and final blog in this series will not focus on sculpture, however, but on wildlife in the natural habitat zoo and butterflies in the Indoor Butterfly Garden.

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PS I have one more treat for you, should you find you want to see more photos of Brookgreen, some of great works which I didn’t see or didn’t have time to photograph. I recently found this blog while googling to identify sculptors, and if this photographer isn’t a pro, I hate him even more! He is a master at light and composition…HATE HIM with a burning jealousy! But you might like him: Every Picture Tells a Story….  [Okay, I really love his photos. Wander around a bit and you'll find some astonishing pictures.]

TBOE: part 7, More nekkid people

Just fair warning for anyone who is shy–yes, I have feedback on the nudity, particularly…peen (a wink to my naughty tweeties).

Continuing my series, The Banality of Evil, which has been timely in some ways, with the shooting and arrest in the death of Trayvon Martin, we’re focused now on the world-class sculpture of Brookgreen Gardens, located on the former properties of several slave-owning rice plantations in South Carolina Lowcountry. This particular outdoor sculpture display is called the Brown Sculpture Court, #17 on this map. (If you are interested in starting at the beginning of TBOE, where I set out on a Waccamaw River tour that took me unexpectedly into the horrific past of the region, click here.)

Because of my latest computer virus debacle (apparently we’re computer virus magnets), it’s taken me some time to recover my system and get these photos uploaded again, so I’m happy to finally be able to continue. This part of TBOE will be a pleasant visual blog, I hope. Since there’s not a lot to say and some lovely art to share, let’s begin.

One caveat: I don’t have the names of all the sculptors who created these wonderful works because I was in a time crunch the day we visited the Gardens. If you’re desperate to know something that’s not identified, a call to the Gardens might get you the information, as they’re very helpful in the Visitor Center.

Hope you enjoy! 

[Remember you can click on the photo to enlarge, twice for close-up.]

This is the walkway leading to the Brown Sculpture Court, which you can see in the background.

Just through the lovely arches are some benches where you can take a rest in the coolness of the structure before entering the display area. Also there are restrooms here, very modern and clean.

I found the next area stunning: the modern sculpture, the pool, the plants.

There are several areas with sculpture, self-explanatory:

These were around the perimeter of the pool in a covered walkway.

Who hasn’t felt like the poor guy in the next piece?

Next is one of those sculptures you have to force yourself not to touch:

Then there was another pool with larger sculptures under the promenades:

Amazing, right? However, about this time, Hubs was getting far ahead of me and as I’ve mentioned before, six hours is not nearly enough time to see everything, so…tic toc tic toc, I got what I got. 

I swear I was snapping as fast as I could, and it’s hard to know how a photo will turn out when you finally see it. If you look closely, the hair in the work above is amazing, but some is in the shadow.  It is an interesting pose for an outdoor garden, don’t you think?

And with the horseman, we ride off to the lawns with more sculptures, and much larger…but that’s for another blog. Also, I have some good photos of the indoor butterfly garden and then the natural habitat zoo; so maybe two more blogs on this and we’ll be at the end of my tour into the past and present of coastal South Carolina?

Again, thanks for going there with me!

Homeless in Atlanta

Before I put up my next photo blog of the Outdoor Sculpture Garden at Brookgreen Gardens, part of my continuing series The Banality of Evil, I want to share something with you that touched me very deeply last week. 

I spent overnight in downtown Atlanta with some friends. I went outside to take pictures of the lovely skyscrapers all lit up in the evening. Standing on the hotel balcony, I happened to spot this homeless person stopped at a small park nearby. She–he?–stood there, humped over in an unnatural stillness, as if too exhausted to move or too confused to bother…or maybe both. 

It was pure chance that the sign was in exactly that spot, as well. 

Goodnight, dear one.

[Click on photo to enlarge.]

It took me a second to set up the shot. As she began to walk away, with each painful step, feet wrapped and shuffling slowly on, my heart wept for this poor soul. How must it feel to be alone in the night, surrounded by towers of wealth and power, without so much as a comfortable spot upon which to rest?

I was filled with shame. This, too, is America. She is one of us.

Be thankful, my friends. There but for the grace of god….

Walking Dead Finalé: Pet zombies?!

If blog stats have any credibility, the single most googled hits I get go something like this: Can zombies really happen? 

Um…no. If you’re asking this because you never really thought that much about it before you started watching the new hit series Walking Dead, but now you’re having nightmares, I have a little “science of anatomy” blog which may comfort you: see this topic here, if you missed it.

On the other hand, if you’re thinking, “Science? Really? It’s a zombie series!” I get it. I, too, accept that looking too closely spoils the fun and why would any fan want to do that? There must be some appeal to mindless zombie logic….  

On the third hand–well, if zombies are the standard, then I can have three hands–it is fun bitching at Rick, Shane, Lori, Carl, and all the other 21st century nitwits in this show who saw their world destroyed in weeks by an unknown plague of some kind involving walking dead people who amazingly can do all kinds of things to outwit the still livings’ best efforts to stay alive–whew, take a breath here, puff, puff, puff–and yet these arguably intelligent adults still wander around the fields alone and sleep in tents without more than a lookout on a RV.

It makes me wonder who hires these writers. Complaints about slow pacing and repetitious plot lines aside, we love the concept, the acting, and the blood and gore enough to hang in any way. But all that talk about who is the leader seems a bit silly when one ponders all the things that didn’t get done on this farm in time to protect anyone. The alpha males were so bent on winning rights to Lori’s twat they forgot nobody was actually doing much to secure the farm. Big clue, dudes: even the COWS got through the fence.

I do enjoy seeing lists written about the dumb ideas these people come up with, engaging in discussions about the strange character conflicts consuming the group in the face of so many nearly insurmountable life-and-death issues, and analyzing the bad decisions so often made…or written, I should say.

Frankly, it’s why I read blogs and comments. It’s fun to deconstruct the show when I’m still a bit shell-shocked from watching it. That’s how good it is, in spite of obvious flaws: I need to be pulled back into the logical, real world. I mean, the Season Two Finalé was, frankly, PTSD material! So of course Rick and company can’t have been too bright or they’d still be safely riding out the zombie herd on the farm or in someplace with some real shelter potential.

Everyone knew that herd was coming, right? How many gangs of zombies have already eaten from this group? 

So back to nitpicking: breaking down how zombies herd, of course, is another thing. Not to mention, I can’t make my way across 30+ miles of dense forest growth, fenced fields, swamps, bogs, creeks, rivers, hills-and-dales on foot without great difficulty, and I’m not dead–yet. No, we can’t look too closely at that or we’ll never get to the good part: WHO THE HELL WAS THAT WOMAN WALKING HER ARM-LESS  ZOMBIE PETS?! Eek.

Mickey Mouth says Zombie Slayer reminds her of someone....

["Zombie Slayer Dottie" picture compliments of @MickeyMouth1...made her an offer she couldn't refuse.]

No, I don’t know who she is other than what we saw in the Finalé. I haven’t read the comic books, though I’ve bought one hardbound edition of the series. I thought I wanted to read it, but now I’m worrying it might be too much of a spoiler. On the fourth hand–yeah, I’m growing them fast–I’ll probably go ahead and read the books now that the series is done for a while, to bide time. 

In the meantime, I’m hoping the Zombie Slayer who was introduced gets the respect she obviously deserves next season: clearly she’s much smarter in surviving Zombie World than Rick ever thought of being. 

Pet zombies! Walking them on chains! 

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For more zombie fun, Real Housewives of Anywhere have been vastly improved upon by the aforementioned talents of Mickey Mouth, which you can see at the excellent website Reality Chopped.

T-BOE: part 6

Okay, howz about an acronym-as-title now? The Banality of Evil: T-BOE? If you say it out loud, it sounds like exercise equipment, right? Or maybe it has a pedantic look? I’m desperate here. Let me know if you have any ideas…I’m fresh out. 

(If you’re reading here for the first time, you may want to follow this series from the beginning here.

Sometimes I fail

I want to mention that my header at the top of this blog is from the Offner Indoor Sculpture Center at Brookgreen Gardens. This bronze piece, “Benediction” by Daniel Chester French, was exhibited during a competition in progress at the time, though some of the sculptures I photographed were not in the competition. (French sculpted The Lincoln Memorial statue so no competition there.)  I awkwardly blurred many photos I took in this exhibit; more about that as we go. This particular angel I love, so the best I can do to salvage it is to put it in the header where the blur gives it drama. Hope it works for you.

A Plantation Kitchen

The creator of Brookgreen Gardens, Anna Hyatt Huntington, was an artist through and through; her sculpture was the impetus which turned the shameful history of this land into a work of singular beauty for all to enjoy. I wonder if she had any insight into how extraordinary her vision would truly become. 

So picking up where I left off in part five of this series, I begin with a statue standing beside the brick fence behind the plantation kitchen:

[Remember to click on photos to enlarge; then again for even more detail.]

Outside the original kitchen building

A small children’s garden nearby is full of surprises for the kids to enjoy. Here’s another:

"Peace Garden Room for Children"

There are about a dozen buildings dotting the 50+ acres, from museums to shops to food and sculpture pavilions. Because of its actual history, I found the original plantation kitchen fascinating.

“Old Kitchen” is 150 years old, or close, I think. It’s somewhat rare because it was common for kitchens to burn down, for obvious reasons. Since the fires took the houses with them, owners began building the kitchen away from the main house. The main house from this plantation did burn down; the kitchen remained untouched, ironically. Now Old Kitchen houses a luncheon shop with a few small tables, plus an outdoor deck, which is nice for tourists because one does need a respite after walking about for hours. 

Bad news: I didn’t get outside shots of Old Kitchen or the Offner Sculpture Center beside it. At the time I didn’t know I’d be doing a blog tour, and so much foliage and landscaping covered the walls it was all a bit obscure from ground level. Old Kitchen wasn’t built for architectural aesthetics, either. But here is what I did get:

Outside Old Kitchen

Old Kitchen Wall of Shame: faithful victims who deserve to be remembered as heroes

I shared the above picture in part one, if you have seen that blog. I want so much to apologize to those people.  So much.

It was a small space, so pictures were tight: where cooking happened.

Next you’ll see more of my shaky camera work. Sigh. I will take a tripod next time.

How many people were fed from this fireplace?

This seems to have an opening for fuel: old oven? Stuffed owl?

The floors were amazing. The history is all right there. The workmanship, these medallions, all the work of people who put their hands to labor for which they were not paid, for which they were tortured, and for which they have never been given credit–not to this day. 

Imagine how many feet walked over these bricks.

It’s a conundrum: how to appreciate these artifacts of the rich culture brought to our country by the Africans who survived in spite of every terrible thing done to them, in the face of what every artifact represents–American slavery? Grievous. 

I would like to dedicate these pictures to all my Twitter tweeps. Thank you so much for letting me share these with you.

Moving on to the Offner Indoor Sculpture Center: they had a sculpture competition going on in this building. Visitors could actually vote! We had no time to do so, as it was right before lunch and Hubs and I were flagging. I was trying to hurry, so I flubbed a lot of pictures of some outstanding work. I am going to post some blurred photos anyway, because the art transcends my clumsiness–oh, bitter incompetence! (Gnashing teeth here–I needed a different mode for the lighting, obviously.) Hope you enjoy these in spite of me:

Mallard Duet: bronze, by Sandy Scott

Confused about the title/artist, but I love this work.

On the right a bronze: The Comforter, by Sandy Scott; Left, unclear from the list I have.

The next one purely broke my heart when I saw how I’d botched it. I love this little girl, this artist’s presentation of her. I hope she’s there next time I go.

Such a beauty; such sculpting skill to capture her.

One could spend many happy hours here.

Shy people may want to stop here: many nudes to follow.

Another out of focus shot, but I loved this huge split-head work; you get the gist.

You'll see more like the one on the right later; left work is classic.

I think Hubs really liked this exhibit.

These nudes on this wall were life-size.

There were also three rows of long glass cases, two-sided, filled with smaller sculptures. There were birds, horses, Indians, plants–alas, the glass was very reflective so the work didn’t photograph well for me. This was the best one I got:

Inside glass cases, smaller works were displayed.

I do apologize for the bad photography. I saw so much expert skill and gift of imagination that I wanted to give you an idea of the diversity of talent, at least.

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There are over 1400 sculptures in the Gardens, so what I shot is a but a fraction. I do have much more, though. Next blog, an amazing outdoor sculpture court, and all pictures are clear–yeah!

Brown Sculpture Court

Thanks for coming!

PS Are y’all getting tired of these? I may blog about something else for a break…zombies, anyone? 

The Banality of Evil: part 5

I’ve created a little problem for myself: the title needs to evolve at this point, but I can’t work myself out of it. Silly, you’re thinking. Only you may not know that I had 600 pictures in my camera when I got back from my beach trip last Fall. Ha! 

Don’t worry. I’m not going to post them all. No more than 400, I promise….

Kidding! But Brookgreen Gardens is a huge, living work of art itself and I am addicted to picture-taking, so I do have a few more blogs-worth of photos. I’ll try to edit myself, I will; but when you see the sculpture court and natural habitat zoo and Butterfly House and and and…oh my. ADDICTION! 

Anyhow…here we go, back into Brookgreen on a beautiful September morning/afternoon in Murrells Inlet, South Carolina, as 2011 waned. (If you are just jumping in, you may want to check out part four where I posted my first photos of Brookgreen Gardens here. If you want to start at part one of this journey with me, that’s here.)

Breathtaking Art and Landscapes

I pick up at this work of art, which my husband and I came upon after passing through Live Oak Alleé. You may remember this as I used it in part one of this series. Situated on the original plantation house site, the pond is a reservoir for the Gardens. (Trivia: many of the old plantation houses burnt down; this one was rebuilt in 1901, but was moved at some point to accommodate the development of the Gardens.) This sculpture is one of my favorites because it profoundly represents the heart of my entire series–the horror of our history of slavery in America. It’s not just beautiful; it brilliantly tells the story in one three-dimensional image:

[Click on photos once to enlarge, then again for detail.]

The next photos are good examples of how at every turn you see such beauty.

Again, Diana hunting--goddesses don't wear clothing.

Diana apparently kept this deer for a pet.

I'm calling it "Man with Spear".

Even with my over-exposure, the skill here is breathtaking.

Next is a sculpture with a bloody story to accompany it: we have nothing on those Greeks and their mythology. This is Actaeon, who angered the goddess Artemis and was turned into a stag, at which point his own dogs ate him. (Note to self: never piss off Artemis.)

Beautifully depicted fate of Actaeon--but OUCH!

As we clicked along, trying to take in as much as we could in the six hours we were at the Gardens, the next sites were the most beautiful display of flowers and lush greenery of the day:

Guess who? Yep, Diana again.

Closer look at the pool.

If you look into the background of this picture, you’ll see the adjacent sculpture display, which is an even more complex combination of sculpture, water, and plants: The Muses.

For the artist's intent, read this placard.

Inartful photography aside, I've decided multiple views are in order for so large a work.

As best as I can remember from the placard in the last photo, which is placed at the front of the piece: one figure represents the  poet, one the architect, one the musician, and the one at the back right the painter, which I discovered when I found this webpage about the piece on the Brookgreen Gardens website. The one on the left is the sculptor, as the placard you could read explained. I think the seated figures in the back are muses. But this is art, so you may have a different interpretation.  

So much to observe.

Can't...help...myself....

Last one of this work, I promise.

I’m going to leave you with one final sculpture of a different sort, leading into the next blog. At this point, the works move into  contemporary human and modern subject matter. Located outside a building which houses scores of sculptures in a controlled environment, this one is a personal favorite because…have I mentioned I LOVE THE DANCE?!

I'm twirling and twirling and twirling....

Next I’ll show my photos of the one remaining building from the slavery era–the kitchen, as well as sculptures shown in collections of indoor and outdoor exhibits. Thanks for visiting with me!

The Banality of Evil: part 4

Angry White Woman

I’ve written and rewritten this blog 15 times. Maybe more.  I’m not exaggerating. I think I finally figured out why: I’ve been watching too many documentaries and reading too much about slavery during this Black History Month. I’m mad, frustrated, disappointed, and downright appalled. At us. Our nation. Our government. At myself. Once I started down this path, I’ve replayed countless experiences I’ve had with racism in my life. Sometimes it’s hard not to put my head down and bawl. This has permeated my every attempt to write this blog so much that I now just sound like an angry white woman.

That said, this is just a blog and I realize to get past this, I need to follow my personal guide through this vacation journey; my photos. I’ve been looking forward to sharing those I took at Brookgreen Gardens, which I visited the next day after my ride on the Waccamaw River with Plantation Tours. (If you haven’t read my account of that, you may want to start here. Camera in hand, discovering this statuary garden was like falling into a photographer’s dream. It also added another dimension to the history of the rice plantations and their demise after the Civil War.  

So before I stuff her back inside, some final thoughts from my angry white woman:

The black waters of the Waccamaw still whisper to me; are we capable of rising above our worst failures or will we drown in them? 

I have no answer; but I am listening much harder. There was a lot to listen to during this Black History Month. I’ll share a couple of sources which informed me on many levels.

Did y’all know that once the Civil War was over and the Federal government cleared out of the South after 10 years of Reconstruction, former slaves were frequently railroaded into “work camps” on trumped-up criminal charges where they were shackled and enslaved again with no pay? This continued for 80 more years, until after World War II. One of the most shocking documentaries I’ve seen: Slavery by Another Name. 

I’m also reading a small but profound book which contains first-hand accounts of slave life, recorded stories told by people who were slaves: To Be A Slave.  These are the victims’ stories, often missing from the dialogue about our fragile racial détente in America. You can hear a radio adaptation of it online at From The Vault.

There was also good news last week. On Wednesday this came across the media: Pres. Obama spoke at a groundbreaking ceremony for a Smithsonian Black History MuseumI look forward to the completion of this museum. We need a national, unfiltered public record of the history lived by one-third of our population.

As I leave the rivers behind, I know it matters little in the big scheme, but I am changed. When I look at the faces of Black Americans now I see the living miracle of human survival in the direst of circumstances. I am humbled.

Brookgreen Gardens

Our guide on the Plantation Tours told us about Brookgreen Gardens as we passed it on the riverside. There is a beautiful website where you can learn more than I can tell you, and it also has professional photos, so you may want to check that out here. 

From the website, the history of Brookgreen Gardens:

During the Seventeenth Century, English settlers first came to the Carolina territory from Barbados and other Caribbean islands.  A plantation economy was well established on the islands, and the planters were looking to expand their holdings.  From the beginning, they brought enslaved Africans to work the new lands. The planters at The Oaks, Brookgreen, Springfield and Laurel Hill plantations (the four former plantations that make up the present-day Brookgreen Gardens) established family dynasties and were leaders of the rice planting elite during the antebellum years.  However, the success of these great rice plantations rested on the backs of the enslaved Africans.  As early as the mid-eighteenth century, a majority of the population in the Lowcountry of South Carolina were enslaved Africans and during the late antebellum period they accounted for almost 90 percent of the population in the region. They provided physical labor, skill and technology required for rice cultivation and production and infused the environment with their customs, traditions, crafts, and language known today as Gullah-Geechee culture.

In 1931, Archer and Anna Hyatt Huntington established Brookgreen Gardens as a 501(c) (3) non-profit corporation to preserve the native flora and fauna and display objects of art within that natural setting. Today, Brookgreen Gardens is a National Historic Landmark and a display garden with the most extensive collection of figurative sculpture in an outdoor setting by American artists in the world. Brookgreen has the only zoo accredited by the Association of Zoos and Aquariums on the coast of the Carolinas. Brookgreen Gardens offers tours, programs, and archeological sites for visitors to explore.

I took so many pictures. I was drunk with the lush landscape, the birds, butterflies, dragonflies, and lizards flitting about in the warm Fall air. The zoo and indoor butterfly garden had their own enchantments. Then at every turn were the sculptures, featured by the plants, flowers, and waterscapes designed around them. It was hard to take a bad picture–though I managed; I’ll share one or two of those with you, as occasionally a bad photo ends up being the one that captures something magical. I will group pictures into separate blogs, as one would be far too long–my computer starts to groan after loading too many.

So let’s begin.

First, let me say for the cost of your ticket–ours were $12 each–you get a seven-day pass. If you want to see all the 50 acres of gardens, sculpture courts and exhibits, the zoo, and take the water tour, you’ll need more than one day. We were leaving the next day so only had about six hours; these old legs were trucking, but I will go back.

At the Tarbox Welcome Center you get your tickets, your map, find out what times the shuttles run, etc. You can also buy tickets for a boat tour somewhat like the one I took on the river, if you have the time–we didn’t, but I will do that next time I go.

There is a gift shop with the usual, but also lovely jewelry, original art, and sculpture for sale–oh, I could go broke in there. Also on the grounds: a small history museum; several places to eat and rest; and a scattering of benches throughout the grounds for refreshing yourself or contemplating the beauty.

From here I’ll start at the beginning of our walk and let the photos take us through what we saw.

[Click on the pictures once to enlarge, then again for close-up.]

The Diana Pool

 This sculpture is by Anna Hyatt Huntington herself. She was an amazing artist and woman who broke down barriers of her own in the world of art, so you may want to read about her life and work. Mythological subjects are popular in these gardens, with Diana the Huntress appearing many times.

A cool resting place by the Diana Pool

 The Live Oaks dominated the beginning of the gardens. They also add their own artistic flair, as you will see.

Another angle of the Diana Pool

Moving on into the living sculpture, by Mother Nature:

In Live Oak Alleé

My camera and I nearly got stuck here for obvious reasons. Named Live Oak Alleé, this grand lane remains from the original plantation site.

Speechless

 I should only put up a couple of these, but I have no self-control in the face of such beauty. 

So old tall branches have grown into the ground

The carriage lane to impress visitors

And my very favorite picture from the whole trip:

Sometimes I get lucky

Reluctantly I leave this luxurious setting…but I’m not disappointed as the parade of world-class sculpture continues:

I think this work is gold-leaf, though most are marble, granite, or bronze.

 My old computer is nearly crashing now, so I’ll add one more and then continue in my next blog. 

Cougar? I have no idea

I should probably mention I can’t remember the names of all the artists. I didn’t write them down because I was in a time crunch. 

Hope you enjoyed these. There are more to come. Thanks for checking them out; I love to share them with you.

LUV The Walking Dead…but it could never happen

If you are a zombie apocalypse fan and you are troubled by facts which inhibit your enjoyment of this sci-fi/horror genre, stop reading now.  I get it: sometimes my logical hubs is a real downer pointing out during a disaster or horror movie or TV show how “that could never happen.”

Gary Larson: The Far Side

We suspend a lot of disbelief to enjoy the fun new AMC series The Walking Dead. I personally love it for the “end of civilization as we know it” dynamics of the characters. How would we react to survive an “extinction event”? Survivalists have been asking that question for a long time, and it’s worth pondering now that science and Hollywood have contemplated how many ways we can get taken out–move over, dinosaurs. 

Still, hubs usually has a valid point, and as much as I am enjoying the Dead series, I see people in blogs, comments, etc., asking questions about how these zombies do things that give one pause–but never give the zombies pause. So here are a few observations to allay any fears that might creep into our nightmares about zombies (yes, I’ve had some, too):

The Walking Dead zombie decay: see what I mean?

  • Does anyone really believe that zombies, with rotted and torn muscles, ligaments, and tendons, can actually walk, out pace, grab and hold healthy humans, and rip them to shreds with their teeth faster than those people could run and get away? To walk our muscles must receive neurological messages which coordinate contractions with complex sensory input so we don’t just bump around and get stuck in a corner. This requires the higher functions of the brain. Yet these brain-dead super-zombies can climb stairs and fences, rip through heavy metal vehicles, break windows, and open doors? Um…no. 
  • How can zombies see where to go anyway, or hear and follow sound and light? I can barely see with thick eyeglasses now; so how  can a zombie eyeball without a healthy retina, cornea, and lens not be blind? Back to bumping into walls.
  • Remember in Season One when Glenn and Rick (I think) used zombie blood to “disguise” themselves so they could walk among the zombies, to cover living-flesh smell? How can zombies smell anything? Even if they had olfactory sensors still working, their own dead stench would pretty much dominate anything else, wouldn’t it? I guess the writers figured they had to explain why zombies don’t eat each other, just the living. So they came up with…you’re dead, but you’re a flesh-sniffing gourmet? 
  • Breathing for a zombie is also not an option, since their lungs and trachea would be mush. So exactly how do they make those zombie sounds without air being pushed from the diaphragm?
  • In the same vein (heh, pun there) there is no heartbeat, so no blood is circulating. It has nowhere to go, either, because arteries and blood vessels would be dried up, collapsed, and blocked. Since the heart has stopped, who cares, right? They’re dead!
  • Not to mention, digestion? Of meat? Wouldn’t the lack of a functioning esophagus, stomach, and intestines, plus the required digestive juices, pretty much eliminate any actual need for eating anyway? Anybody seen any of these zombies taking a dump yet? I don’t think so….

These are just a few thoughts on why zombies could never chase and eat humans. Ever. Even I could outrun a zombie. Standing still. It’s some comfort when I wake up right before some zombie turns me into the main course. 

Suspension-of-disbelief has to be complete to enjoy the fun of The Walking Dead zombie apocalypse properly. But on a “believable monsters in horror” scale of 1 to 10,  ”not believable” being a 1, to “entirely plausible” being a 10, zombies are at 0. The laws of human physiology don’t disappear with some mysterious virus or contamination.

We’ll have our apocalypse one day, but it won’t be zombies.

The Banality of Evil: part 3

I’ve been slow getting to part 3 of this series, so I have managed, completely by chance, to intersect my river journey into the plantation history of the Waccamaw River with Black History Month.  There are so many profound stories being shared during this month that, once again, what I write about the economic system of slavery which ruled the Waccamaw for centuries borders on arrogant coming from…well, me. I can only offer that my skin is white, but my heart is human, so on I go.

Also, this part didn’t end up shorter, which I had promised. It’s longer. Guilty.

Well, it is what it is. So I’m just going to share my pictures as the story unfolded for me and then include some interesting links I have found online, one a short blog which solicited unexpected, touching, comments from descendants of those who lived on the Waccamaw plantations not so long ago–they’re still finding each other.

Where the master lived

[Remember you can click photos to enlarge--twice and you can peek in the windows.]

Back on the Plantation Tours: my husband and I took this two-and-a-half hour trip on the pontoon boat expecting to learn about the Waccamaw River’s wildlife, fishing, and whatever, maybe some Revolutionary War history, because hubs loves that old Francis Marion “Swamp Fox” stuff. Ignorantly, we had no idea about its plantation past, which thrived on rice crops cultivated through slavery, until we were well into it–I speak to my shock in part one.

I got a few photos of an actual plantation main house of slave owners, but there aren’t many still standing on the river, our guide said. They’re really not that large by today’s standards, but in the 18th and 19th centuries, particularly along South Carolina’s undeveloped coastal waters, they must have seemed grand indeed.

I don’t remember the name of the original “master” of this plantation, as I wasn’t taking notes at the time. The house sits close to the riverbanks of the Pee Dee River, which we had entered on the loop back to our tour’s starting point. The Pee Dee is smaller but drains into the Waccamaw, which eventually flows into the Atlantic Ocean.  The rivers, named for Indian tribes who once lived there, are the reason these fertile lands were so prime for rice crops: not only were they a natural water source to grow rice, with the ebb and flow of the ocean regulating Waccamaw’s water level with the tides, but they were a water-highway to deliver supplies, ship out the crops, and transport people. And slaves.

There were lots of detached buildings; kitchens, supply storage, etc.

Do not mistake living on these banks as some resort-like lifestyle in those privileged plantation homes, though. With no electricity, no central heating and air conditioning, no indoor plumbing until the 20th century, it was a relatively difficult life for all. It’s hot and humid in the Lowcountry half the year, and dangers were constant. Mosquitoes carried deadly malaria; there were no hospitals nearby and little help in the way of modern medicines. Well, you get the idea. 

This is why in Summer, river plantation owners and their families would pack up their belongings, or their “house slaves” did, including furniture, dishes, clothes, foods, whatever they needed, and away they went, sometimes  to a beach house on the nearby ocean where the breezes were a relief, sometimes inland or north to cooler temperatures.

Brookgreen Gardens has a zoo with livestock native to the plantations.

The slaves on the plantation worked on. These were, after all, large farms which produced more than crops, but also much of what was required to run them; they had a workforce to house and feed, as well as the owner’s family. They maintained livestock for work, food, and travel.

Livestock breeds once plentiful on plantations are now fading into history.

Who would imagine corporate farms would endanger some breeds?

The warm seasons were also the height of the rice production cycle. Up to a hundred slaves, driven by the overseer, trapped by laws dooming them through the color of their skin, were the backbone of the system. They built and ran the plantation every day.

Sculptures at Brookgreen Gardens

I can’t imagine what kind of human being would even presume to “own” another. How much violent energy does it take to enslave another human being? What kind of government creates laws to enable and sanction this? Okay, Egypt comes to mind, but that was 3000 years ago. So how is it that in the 21st century, we act like it’s all in the distant past, not our responsibility, quit whining and get a job? It’s not like systematic racism planted and tended as carefully as rice and cotton for centuries still exists, right? Not right. 

If you take nothing else from this blog, do yourself and our nation a favor and read or listen to Michelle Alexander speak in this NPR interview online: 

Interview Highlights

On the number of blacks in the criminal justice system

“Today there are more African-Americans under correctional control — in prison or jail, on probation or parole — than were enslaved in 1850, a decade before the Civil War began. There are millions of African-Americans now cycling in and out of prisons and jails or under correctional control. In major American cities today, more than half of working-age African-American men are either under correctional control or branded felons and are thus subject to legalized discrimination for the rest of their lives.”

Being “freed” after the Civil War was barely a step up from being a slave, it turned out. You don’t have to take anyone’s word for it; visit an average courtroom on arraignment day, or go to a jail or prison and you’ll see our modern version of shackles. If that’s too much, visit your local public schools: you only have to see the color of the students to know which level of academic grouping you’re observing: remedial, average, or college-prep. Segregation and inequality are not over, but have only morphed. Who can argue this is not a direct a result of slavery and systematic racism? Who would? Astonishingly, too many.

I hate to proselytize, so my apologies for that; but I hear politicians every day pounding away at us about the problems we face and the solutions that never come. If they spent one week doing the research, or having their staff do it, and then actually took the time to absorb the facts and talk to those living and dealing with these realities on a daily basis, maybe their cold cash hearts would be moved to work with those people to make real changes instead of with Super PACs to fatten their personal accounts. 

Or maybe they should just take a tour of the Waccamaw and Pee Dee Rivers. Because this is what the ghosts I met there awakened in me. This is why I am compelled to write. Life is indeed not fair, but can we as a nation claim to be anything but hypocrites if we refuse to acknowledge and take responsibility for our own brutal past?

Anyway, fast forward to a place, literally, in this history: an island which sits in the middle of it all, quietly watching as we struggle to disclaim the wrongs which we can never undo.

History in jeopardy: Sandy Island

The only way onto Sandy Island is by water. It has no bridge.

Shrouded in the mystery of time and preserved through a series of unpredictable events over hundreds of years, Sandy Island sits between the Waccamaw and Pee Dee Rivers.  It is heavily protected by the waters that surround it and by the history it holds within. The Lowcountry locals seem to have an unspoken oath to steer tourists away–which I witnessed on my tour.  ”People  leave the residents of Sandy Island alone, as it’s their home,” our guide said as we glided by, adding that we could access the public beach but the gators like it, as well, so be careful. And watch the snakes hanging from the trees. Got it. 

You’ve probably never heard of the island if you’re not a descendant or resident of the Lowcountry. And that’s a good thing; it’s a wetland and wildlife preserve now, which is all that saved the residents from being edged out by rich white capitalists, in the end. I still fear for them, after reading about it all, but I’ll leave you to explore that if you are inclined.

Approaching Sandy Island, there’s not a lot to see from the river. There’s a public dock and a tiny island store. It has a church, some modest homes, even what I’d call shanties. Once 9 plantations farmed rice on it, but that gave way to private hunting lodges after the Civil War. Many former slaves stayed to work the same fields after they were freed; this was the only home they knew. They even managed to purchase a few hundred of the 9000 acres to call their own.

Today around a hundred descendants live on Sandy Island, commuting by boat to work and school off the island. Since a two minute video is worth 10,000 words, if you’ve come this far with me you may want to view this intriguing S.C. educational video: Sandy Island residents speak in their unique, soft Gullah accent of their recent struggle to save their home and heritage from the ever-encroaching development of the modern world. This has a happy ending–for now. (PS You can also see the handsome former governor of S.C., Mark Sanford, before he recently left office in a major scandal involving “another woman.”) 

I found a moving link to a blog which accidentally turned into a place where slave descendants from this area found each other in the comments section; I’m including it because I love the comments; they feel like “the rest of the story.” (Any oldies who remember Paul Harvey’s radio show?)

Finally, if you are in the area and want to visit Sandy Island, turns out there is a tour! I hope to take this one on my next trip. 

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Thank you to anyone who managed to get through this. It’s shamefully long and so serious, I know. I’ll call it my sad little contribution to Black History (in White America) Month. I will try–but no promises this time–to limit my next blog about the Lowcountry mainly to photos I took at breathtaking Brookgreen Gardens, an outdoor museum of world-class statuary of all kinds, created on former plantation properties. There’s even a butterfly garden! 


The Banality of Evil: Part 2

In the comments on Part 1 of this series, @babstheshopper wrote eloquently of her great great grandfather, born a slave.  She got me to thinking about Dr. Martin Luther King, Jr., as I remember the day he was assassinated. This act of extreme racist hatred was carried out by an American terrorist because Dr. King led the fight to apply the laws set forth in our Constitution to all Americans, not just white ones. Those were dark days in America.

Yet we still are on the journey for equality in America. Any questions about that can be answered by GOP presidential candidate Newt Gingrich, a man who is so ignorant of his own prejudices that last November he made the following outrageous statement to a Harvard crowd, advocating putting poor children to work as janitors

It is tragic what we do in the poorest neighborhoods, entrapping children in, first of all, child laws, which are truly stupid. [...]

Most of these schools ought to get rid of the unionized janitors, have one master janitor and pay local students to take care of the school. The kids would actually do work, they would have cash, they would have pride in the schools, they’d begin the process of rising.

These toilet-and-floor-cleaning children would be hired from a poor, de facto minority population into jobs created by firing working janitors en mass, the majority of whom are also minorities and are not happy to be considered so worthless by someone like Newt, who clearly plays our system of government for his own financial benefit. 

Newt went so far as to defend his “jobs for children” plan more strenuously in the recent South Carolina GOP debate held at Myrtle Beach, only a dozen or so miles from the location of the Waccamaw River where the Plantation Tours featured in this series operate. So this is where I lost my zen and entered the fray, starting with this political cartoon here.

I can’t help it. How it cut my heart to see New Gingrich’s position cheered so loudly by the very people standing on Ground Zero of  American slavery, where the history of centuries of slavery was forged. Gingrich and his supporters no doubt vehemently deny the reality of the politically engineered destitution of an entire ethnic population, the ancestors of those slaves. Perhaps they should ask those South Carolinians who aren’t white if they think putting poor children to work as janitors is so different from the enslavement of their ancestors.

Writer John Ward defined it precisely:

It was a moment that will likely be dissected, debated and discussed for some time: a black journalist being booed by an overwhelmingly white audience in a deep South state on Martin Luther King Day, as a white candidate for president talked about the work ethic in low-income, majority black neighborhoods. It’s hard to imagine a more charged few minutes in public life in recent memory.

So with new inspiration (thanks, Newt), I return to my brush with history last September on a two-and-a-half hour pontoon boat ride with Plantation Tours down the Waccamaw and Peedee Rivers. 

Life and death on the River: Into the waters

[Click on photos to enlarge.]

Plantation Tours departed here at the Wacca Wache Marina in Murrells Inlet, S.C.

These black water rivers are deceptively serene. I say deceptively because the malevolent history that happened here is soon enough revealed by the remnants which still remain of the system of slavery on the rice plantations of the 18th and 19th centuries. 

Many large osprey nests can be found on the river.

Floating through the quiet, natural environment of saw grass, trees, and a variety of plants, it would be a mistake to forget the surrounding dangers which will kill you if you’re not careful. Besides the power of the ever-changing currents and tide, the rivers and swamps support a wide variety of wildlife, including highly poisonous pit vipers called the water moccasin and the very aggressive cotton mouth. Our guide, whom I’ll call Sarah though I can’t remember her name, said alligators are still plentiful, averaging 10 to 12 feet in length. Those in my photos live in the natural habitat zoo of Brookgreen Gardens, the outdoor museum I mentioned in part one, adjoining the banks of the Waccamaw. (More on Brookgreen Gardens in a future blog.)

A small gator in the natural habitat at Brookgreen Gardens

So amid all the beauty and fearful nature of the Waccamaw and inter-connecting Peedee, we come to the history which no words are sufficient to describe–but words and images are all I have.

Where Rice Was King, Not Cotton

My own realization of what those victims of the American economic slave system actually endured for 250 years started here, with this benign looking, primitive mechanical device:

I am entirely inadequate to tell this tale, but I must try, so I’ll do my best. These are sluice gates, built by plantation owners, or more accurately, by the slaves. These gates were an essential part of controlling the river waters; a slave given high ranking for his abilities raised and lowered them to flood or drain the rice fields behind them, a critical job because this process made or destroyed the crop. The intricate timing was coordinated with the rise and fall of the river, pushed in and drained out by the ocean tides where it emptied into the Atlantic. A better description with illustrations can be read here.

The trusted slave who was the gate-keeper also had the only gun given to a plantation slave, to shoot over the rice fields to scare off the birds which flocked to eat the rice. It was the job of female slaves to plant the rice, tend to it during the stages of growth during the long season, then harvest and process it for shipment on the river to market for sale. It was tedious work, made tolerable by “call-and-response” songs, sung as the field women worked together, digging into the mud with their heels to place their seeds.

Sarah told us many stories about the plantation owners and their families, the daily lives of the slaves, and of the rise and fall of the system, which ended, of course, when free labor was no longer available after the end of the Civil War. Some of her information came from this text which I found online: to read more go to page 103, “Waccamaw Neck.”

What sticks with me, though, are the fearful images that crept into my mind of wading into these waters to clear the river of cypress trees to make way for the rice fields. The feeling I can’t shake comes from looking into that opaque, silky darkness, lush and thick, swampy with plants, trees draped with spanish moss and snakes, still eyes watching from an aquatic prehistoric predator. No, I’m not being dramatic; this is life on the river even today. 

Would you go into these waters?

Yet into that water countless men were forced to go on the “master’s” orders, for that is how the innocuous looking floodgates and dykes which controlled the river were built. A forest of huge, ancient cypress trees and live oaks grew out of the black water; the slaves cut them back below the water line to make way for rice crops, fending off alligators, snakes, disease, and injuries from using sharp tools. Those dangers resulted in male slaves on rice plantations having an average life expectancy of 20 years.

I did get one photo of a cypress tree remaining which I think is a good example of the violent nature of this work: this trunk, now about twenty-five feet high, was hollowed out by slaves.

The reason they did this, our guide explained, was because these trees stood beside the floodgates, part of the mechanism to open and shut them. This was the only one we saw on our trip, so there may not be many left standing.

Sarah also told us that at one time, during the peak of the rice plantations, the area we were traveling had about 20,000 slaves, more than two-thirds of the population living on the Lowcountry Waccamaw Neck, which is the section of river where the rice plantations were.

It might surprise Newt Gingrich to learn that the Africans who were enslaved there were not lazy savages, but men and women who built the plantations: from the main houses to slave quarters, from livestock barns to rice fields, from food to ornamental gardens, from boats and barges to the commodities they transported, the “slaves” used the skills they brought with them from the coast of West Africa and did the work that made the plantation system possible. They were favored for “purchase” by the rice plantation owners because they came from a region of Africa where growing rice was already a well-developed crop system and their American “masters” needed them to cultivate that system in their fields for profit.

You can read more on this, including first-hand observations of the plantations and the Waccamaw River, here, if you like. If you read any of these accounts, it may strike you, as it did me, that the documentation is almost entirely one-sided.

I’ll end this part of my journey with a bad panorama photo of what was once a plantation rice field. I’ve spent a painful amount of time stitching it together for you–I totally blew the camera work. You’ll see the obvious lines of the three photos bumped together. I’m only sharing it to give you an idea of the rice fields. The Waccamaw River would have flooded this field, perhaps through a tributary. 

  

I imagine the thousands of slaves who walked and worked in so many fields like these. It may be that we as a nation have managed to convince ourselves that this was all too long ago to matter now. Newt Gingrich and his supporters obviously have. I don’t see it, though, maybe because I’ve lived among racists and bigots all my life, so I know how far we’ve come, yet how far we have to go.

Thank you, Dr. King, for the roadmap.

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I apologize for the length; I’m too exhausted to edit more. In Part 3, which I promise will be shorter, I have some photos of an original plantation main house on the  Waccamaw River and the story of Sandy Island.